List Of Disney-Owned Films Which You May Not Have Known About

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Source: Vulture

It appears to be simple to distinguish between Disney and non-Disney films. After all, Disney advertises its large library of titles constantly, especially in the age of Disney+, and the majority of the company’s titles promote happy endings and feel-good entertainment. Even the youngest viewers are familiar with the classic mood created by a Disney production.

However, Disney’s film library includes a surprising number of unexpected films, many of which come from the company’s Touchstone Pictures and Hollywood Pictures labels, which were designed to offer adult-oriented pictures.

While Touchstone and Hollywood are no longer around, their films are still available in the Disney collection. A few of them, such as “Three Men and a Baby” and “Turner & Hooch,” are still associated with the Disney brand today.

The majority of these films, on the other hand, have had their Disney ties severely minimized. This leaves a treasure mine of unexpected titles to be discovered in Disney’s extensive filmography.

Before we continue, it’s worth noting that this article excludes titles from 20th Century Studios and Searchlight Pictures, which Disney bought in 2019 but did not distribute at the time. From 1994 through 2010, Disney distributed Miramax films, which are not included in this list. However, films like “Shakespeare in Love” are no longer in the studio’s library after being sold off in 2010.

However, there have been numerous Disney films released through the years that you may not be aware of. Many of these films are animated and deviate from the usual Disney paradigm. We’ve compiled a list of Disney films that you probably didn’t know that were owned by Disney.

Source: Into Film
  •         The Emperor’s New Groove

The Emperor’s New Groove is a 2D animated picture that was released during the studio’s most experimental period. While many people are familiar with classic Disney films such as The Little Mermaid and The Lion King, as well as Pixar films, the films that fall in between these two periods are sometimes forgotten.

The Emperor’s New Groove was released in 2000, and the animation style may make you think it was created by a different company, such as Dreamworks. This Disney picture, however, is about an Emperor who is transformed into a llama and learns a lot along the way.

  •         Strange Magic

Disney gained access to a slew of well-known characters from the “Star Wars” and “Indiana Jones” franchises by buying Lucasfilm. They did, nevertheless, inherit a film that was supposed to help establish Lucasfilm Animation as a force in feature-length animation.

“Strange Magic,” a musical fantasy film directed by George Lucas and geared towards young girls, was that project. “‘Strange Magic’ was made for 12-year-old females,” Lucas told Wired, “much like ‘Star Wars’ was made for 12-year-old guys.”

When Lucasfilm was acquired by Disney, “Strange Magic” became the odd stepchild of the corporate marriage. Disney was anxious to plaster “Star Wars” all over the studio lot, but an unproven concept like “Strange Magic,” which also encroached on Disney Animation’s fantasy musical area, was less welcome.

The way “Strange Magic” was switched to Touchstone Pictures for its widely forgotten January 2015 theatrical release reflected this. The negative critical reception to “Strange Magic” explains why Disney attempted to bury this Lucasfilm Animation project under the rug. Regardless of how much they disregard it, Disney’s strange animated title remains in their catalogue.

  •         Pinocchio

Anyone who has visited Italy knows that Pinocchio is a famous character there—and it isn’t because of the Disney film. In his 1883 children’s tale The Adventures of Pinocchio, Italian author Carlo Collodi of Florence, Tuscany, created Pinocchio. The Disney animated feature was inspired by his narrative about a little wooden puppet.

  •         Robinhood

The tale of Robin Hood originated as an oral narrative that was handed down through songs and ballads before moving on to stage productions and eventually children’s books. The Merry Adventures of Robin Hood, written by Howard Pyle in 1883, is the basis for the narrative we know today. Disney produced both an animated and live-action version of Robin Hood based on this narrative, with all of the human characters transformed into animals.

  •         Bringing Out Of Dead

One of the most remarkable episodes in Martin Scorsese’s life recounted in the book “The Films of Martin Scorsese, 1978-99: Authorship and Context II” is how, in 1996, Disney and Scorsese’s Cappa Productions formed an unusual relationship.

With films like “Goodfellas” and “Casino” under Scorsese’s belt, Disney intended to continue the filmmaker’s winning trend and offer some instantly recognisable titles for its Touchstone Pictures subsidiary. “Bringing Out the Dead” was one of the two films Scorsese directed as part of the contract.

In many respects, this 1999 film from director Martin Scorsese and writer Paul Schrader is a classic, notably in how it combines theology with fictitious characters of very flawed moral character. With its dark tone, barrage of profanity, and candid attitude to sexuality, it’s not your usual Disney film.

The fact that films like “Bringing Out the Dead” didn’t fit in at Disney may have led Scorsese to leave for other studios when the twenty-first century arrived. Fortunately for movie buffs, “Bringing Out the Dead” is an excellent film that is diametrically opposed to typical Disney entertainment.

  •         The Rescuers Down Under

The Rescuers was the first film in the series, in which the titular mice saved an orphan from being kidnapped, and The Rescuers Down Under was the sequel. This film is about a little boy living in the Australian outback who needs assistance saving an eagle from a poacher. The Rescuers, two New York City mice, are tasked with assisting him and keeping him safe.

This is another Disney animated film that doesn’t appear to fit in with the others, although it was manufactured and produced by the company and was one of its earliest sequels.

Source: The Verge
  •         The Good Dinosaur

The Good Dinosaur is the only Pixar Disney film that no one seems to recall. Despite the fact that it was released in 2015, it appears that very few people have seen it. Despite the fact that it was released during the height of the Pixar movie mania, it is hardly discussed.

Despite the fact that the film is adorable, moviegoers did not flock to this narrative for whatever reason. Even the presence of an adorable animated dinosaur wasn’t enough to make this film a success.

  •         Freaky Friday

Disney appears to enjoy Freaky Friday, since the 1972 novel by Mary Rodgers has spawned not one, not two, but three live-action versions. The 2018 Disney Channel Original is the most current adaptation. Prior to that, there was the 2003 picture with Jamie Lee Curtis and Lindsay Lohan, as well as the 1976 picture with Barbara Harris and Jodie Foster.

  •         Homeward Bound – The Incredible Journey

This is the first non-animated film on the list. Rather, it’s a remake of the original Homeward Bound, which was released in 1963. The journey of three pets that are mistakenly left behind by their owners is chronicled in this video.

The dogs travel to San Francisco in an attempt to locate their humans, who are on vacation. Although this isn’t the most famous Disney film, the voyage of these dogs, which includes voiceovers, was entertaining for children.

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